Posts Tagged ‘winterling’

Arranging Flowers for Winterling

Monday, March 27th, 2017

I had to try many different flower arrangements before finding my favorite for Winterling. It was fun! Here are a few:

 TextileFusion wall hanging, Winterling, by Suzann Thompson  TextileFusion wall hanging, Winterling, by Suzann Thompson

Hmmm. Yeah, the white flowers seem too startlingly bright. So for the next try, I took the daisies off and also the big sunflower, because I thought it was too heavy and large for the composition.

 TextileFusion wall hanging, Winterling, by Suzann Thompson TextileFusion wall hanging, Winterling, by Suzann Thompson

How about the one on the left?—it’s kind of minimal with a more controlled color selection. Given a choice, I usually go for fancy over minimal. The next one is alright.

 TextileFusion wall hanging, Winterling, by Suzann Thompson

Thinking the sunflower might not be too heavy after all, I added it back in. Yep, I think this is the one.

 TextileFusion wall hanging, Winterling, by Suzann Thompson

After pinning all the flowers and leaves in place, it was time to sit down and sew. And I mean sew for a long time.

Something kept bothering me about the Samarkand Sunflower which has a yellow center, then a white round and a band of periwinkle blue before the round of white petals. The blue band looked too plain and big. A few bright yellow seed beads took care of that problem.

 TextileFusion wall hanging, Winterling, by Suzann Thompson

After sewing the flowers on, I appliqued a crocheted picot vine in the borders. Each picot has a seed bead on it, which is stitched in place to keep the picot from curling. Buttons berries grow from the vine.

That does it for Winterling! Want to know where the flower patterns are from? Visit this post at the Curious and Crafty readers blog to find out.

Winterling, The Vase

Wednesday, March 15th, 2017

 TextileFusion wall hanging, Winterling, by Suzann Thompson

The Zwiebelmuster chinaware design is full of flowers, leaves, stems, and curlicues. All of that can be crocheted, appliqued, beaded, and embroidered. So that’s what I did, and it took some time.

You know from reading the earlier post about the Winterling wall hanging, that I photographed a coffeepot as a model for the vase. I enlarged the photo to the size of the wall hanging and printed it. The coffeepot/vase became my pattern, which I consulted for size and shape as well as light, shadow, and the actual blue design.

 TextileFusion wall hanging, Winterling, by Suzann Thompson

For a project like this, I will cut out the paper shape and use it for a template. The photo above shows the paper template next to the fabric vase, which I’ve already pieced from knitted fabrics. The fabric vase is a little bigger than the paper, to give me room to fold under the raw edges.

 TextileFusion wall hanging, Winterling, by Suzann Thompson

Various shades of blue knitting created some highlight and shadow. But tulle or netting is the best for making shadows. More layers of tulle mean darker shadows, as you can see in the photo at right.

 TextileFusion wall hanging, Winterling, by Suzann Thompson

Here are the first few crocheted leaves and flowers, made with No. 10 crochet cotton. I crochet without instructions, measuring my foundation chain against the printed template. Sometimes I have to unravel and recrochet a piece several times, but eventually it turns out alright.

I try to get most of the pieces crocheted before sewing them in place. That’s because I have to pin, unpin, rearrange, and repin many times to get the flowers and leaves to look right.

 TextileFusion wall hanging, Winterling, by Suzann Thompson

Then it’s time to sew. And sew. And sew some more. One day in the middle of February, the weather was so nice and warm, I was able to sit outside with my coffee to do some sewing.

 TextileFusion wall hanging, Winterling, by Suzann Thompson

It’s just about finished here. Yay! After this, I folded under the raw edges and whip stitched them down before handsewing the vase to the wall hanging.

 TextileFusion wall hanging, Winterling, by Suzann Thompson

Winterling

Sunday, March 5th, 2017

step by step TextileFusion wall hanging, Winterling

We don’t normally go around leaving coffeepots on the bed, but this is a special coffeepot. It’s from the now-closed Winterling chinaware factory in Schwarzenbach an der Saale in northern Bavaria. My great-grandmother, Lina Schoedel, worked there. One of Winterling’s patterns was the blue and white Zwiebelmuster or onion pattern.

This coffeepot became a vase in my TextileFusion wall hanging, Winterling. But this isn’t the first time the Zwiebelmuster has inspired me: the Perspective Daisy and Curly Curlicues designs in Crochet Garden were inspired by the china, as well as the Leaves and Berries Spray (free pattern here).

step by step TextileFusion wall hanging, Winterling

So back to the coffeepot on the bed. I photographed this scene to help me see how light and shadow would play in my wall hanging. Sometimes I use photos to create patterns for my wall hangings. After manipulating the photos in Adobe Photoshop Elements, I print a full-sized final draft.

Being a fan of color contrast, I chose orange for the background to the blue and white pattern of the coffeepot/vase. I sorted orange yarns into light, medium light, medium, medium dark, and dark qualities, and set to work knitting orange yardage on my Ultimate Sweater machine.

After blocking and stabilizing with fusible interfacing, the knitted yardage was smooth and even.

step by step TextileFusion wall hanging, Winterling

It was time to cut up the knitting! For the curtains and vase, I used my paper pattern to cut pieces to the correct size and shape. For everything else, I cut patches of knitting freehand and fitted them together to form areas of light and shadow. I pinned the patches in place and sewed them to a foundation fabric which wouldn’t be visible in the finished piece.

step by step TextileFusion wall hanging, Winterling

I couldn’t wait to try some flower arrangements. At the International Quilt Festival in Chicago, Spring 2016, participants in my Open Studios session arranged flowers. My first idea was to use blue, violet, and yellow flowers as a contrast to the orange. They soon convinced me that more colors were better.

step by step TextileFusion wall hanging, Winterling step by step TextileFusion wall hanging, Winterling

If you’re thinking the vase in these pictures looks funny, you’re right. It’s because I was using my paper pattern as a place holder. But before finalizing the flower arrangement, I needed to create the vase with knitted fabric. That took a while.